Sunday, March 3, 2019

Come to know sweet Paris


illustration in the Musee d'Orsay




Here is Alan Seeger's wonderful poem about Paris:



Alan Seeger    Paris

 

 

First, London, for its myriads; for its height,

Manhattan heaped in towering stalagmite;

But Paris for the smoothness of the paths

That lead the heart unto the heart's delight. . . .

 

 

Fair loiterer on the threshold of those days

When there's no lovelier prize the world displays

Than, having beauty and your twenty years,

You have the means to conquer and the ways,

 

 

And coming where the crossroads separate

And down each vista glories and wonders wait,

Crowning each path with pinnacles so fair

You know not which to choose, and hesitate --

 

 

Oh, go to Paris. . . . In the midday gloom

Of some old quarter take a little room

That looks off over Paris and its towers

From Saint Gervais round to the Emperor's Tomb, --

 

 

So high that you can hear a mating dove

Croon down the chimney from the roof above,

See Notre Dame and know how sweet it is

To wake between Our Lady and our love.

 

 

And have a little balcony to bring

Fair plants to fill with verdure and blossoming,

That sparrows seek, to feed from pretty hands,

And swallows circle over in the Spring.

 

 

There of an evening you shall sit at ease

In the sweet month of flowering chestnut-trees,

There with your little darling in your arms,

Your pretty dark-eyed Manon or Louise.

 

 

And looking out over the domes and towers

That chime the fleeting quarters and the hours,

While the bright clouds banked eastward back of them

Blush in the sunset, pink as hawthorn flowers,

 

 

You cannot fail to think, as I have done,

Some of life's ends attained, so you be one

Who measures life's attainment by the hours

That Joy has rescued from oblivion.

 

II

 

 

Come out into the evening streets. The green light lessens in the west.

The city laughs and liveliest her fervid pulse of pleasure beats.

 

 

The belfry on Saint Severin strikes eight across the smoking eaves:

Come out under the lights and leaves

to the Reine Blanche on Saint Germain. . . .

 

 

Now crowded diners fill the floor of brasserie and restaurant.

Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport."

 

 

Where rows of tables from the street are screened with shoots of box and bay,

The ragged minstrels sing and play and gather sous from those that eat.

 

 

And old men stand with menu-cards, inviting passers-by to dine

On the bright terraces that line the Latin Quarter boulevards. . . .

 

 

But, having drunk and eaten well, 'tis pleasant then to stroll along

And mingle with the merry throng that promenades on Saint Michel.

 

 

Here saunter types of every sort. The shoddy jostle with the chic:

Turk and Roumanian and Greek; student and officer and sport;

 

 

Slavs with their peasant, Christ-like heads,

and courtezans like powdered moths,

And peddlers from Algiers, with cloths

bright-hued and stitched with golden threads;

 

 

And painters with big, serious eyes go rapt in dreams, fantastic shapes

In corduroys and Spanish capes and locks uncut and flowing ties;

 

 

And lovers wander two by two, oblivious among the press,

And making one of them no less, all lovers shall be dear to you:

 

 

All laughing lips you move among, all happy hearts that, knowing what

Makes life worth while, have wasted not the sweet reprieve of being young.

 

"Comment ca va!" "Mon vieux!" "Mon cher!"

Friends greet and banter as they pass.

'Tis sweet to see among the mass comrades and lovers everywhere,

 

 

A law that's sane, a Love that's free, and men of every birth and blood

Allied in one great brotherhood of Art and Joy and Poverty. . . .

 

 

The open cafe-windows frame loungers at their liqueurs and beer,

And walking past them one can hear fragments of Tosca and Boheme.

 

 

And in the brilliant-lighted door of cinemas the barker calls,

And lurid posters paint the walls with scenes of Love and crime and war.

 

 

But follow past the flaming lights, borne onward with the stream of feet,

Where Bullier's further up the street is marvellous on Thursday nights.

 

 

Here all Bohemia flocks apace; you could not often find elsewhere

So many happy heads and fair assembled in one time and place.

 

 

Under the glare and noise and heat the galaxy of dancing whirls,

Smokers, with covered heads, and girls dressed in the costume of the street.

 

 

From tables packed around the wall the crowds that drink and frolic there

Spin serpentines into the air far out over the reeking hall,

 

 

That, settling where the coils unroll, tangle with pink and green and blue

The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . .

 

 

Here Mimi ventures, at fifteen, to make her debut in romance,

And join her sisters in the dance and see the life that they have seen.

 

 

Her hair, a tight hat just allows to brush beneath the narrow brim,

Docked, in the model's present whim, `frise' and banged above the brows.

 

 

Uncorseted, her clinging dress with every step and turn betrays,

In pretty and provoking ways her adolescent loveliness,

 

 

As guiding Gaby or Lucile she dances, emulating them

In each disturbing stratagem and each lascivious appeal.

 

 

Each turn a challenge, every pose an invitation to compete,

Along the maze of whirling feet the grave-eyed little wanton goes,

 

 

And, flaunting all the hue that lies in childish cheeks and nubile waist,

She passes, charmingly unchaste, illumining ignoble eyes. . . .

 

 

But now the blood from every heart leaps madder through abounding veins

As first the fascinating strains of "El Irresistible" start.

 

 

Caught in the spell of pulsing sound, impatient elbows lift and yield

The scented softnesses they shield to arms that catch and close them round,

 

 

Surrender, swift to be possessed, the silken supple forms beneath

To all the bliss the measures breathe and all the madness they suggest.

 

 

Crowds congregate and make a ring. Four deep they stand and strain to see

The tango in its ecstasy of glowing lives that clasp and cling.

 

 

Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem

To float upon the perfumed stream of some voluptuous Paradise,

 

 

Or, rapt in some Arabian Night, to rock there, cradled and subdued,

In a luxurious lassitude of rhythm and sensual delight.

 

 

And only when the measures cease and terminate the flowing dance

They waken from their magic trance and join the cries that clamor "Bis!" . . .

 

 

Midnight adjourns the festival. The couples climb the crowded stair,

And out into the warm night air go singing fragments of the ball.

 

 

Close-folded in desire they pass, or stop to drink and talk awhile

In the cafes along the mile from Bullier's back to Montparnasse:

 

 

The "Closerie" or "La Rotonde", where smoking, under lamplit trees,

Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . .

 

 

Make one of them and come to know sweet Paris -- not as many do,

Seeing but the folly of the few, the froth, the tinsel, and the show --

 

 

But taking some white proffered hand that from Earth's barren every day

Can lead you by the shortest way into Love's florid fairyland.

 

 

And that divine enchanted life that lurks under Life's common guise --

That city of romance that lies within the City's toil and strife --

 

 

Shall, knocking, open to your hands, for Love is all its golden key,

And one's name murmured tenderly the only magic it demands.

 

 

And when all else is gray and void in the vast gulf of memory,

Green islands of delight shall be all blessed moments so enjoyed:

 

 

When vaulted with the city skies, on its cathedral floors you stood,

And, priest of a bright brotherhood, performed the mystic sacrifice,

 

 

At Love's high altar fit to stand, with fire and incense aureoled,

The celebrant in cloth of gold with Spring and Youth on either hand.

 

III

 

 

Choral Song

 

 

Have ye gazed on its grandeur

Or stood where it stands

With opal and amber

Adorning the lands,

And orcharded domes

Of the hue of all flowers?

Sweet melody roams

Through its blossoming bowers,

Sweet bells usher in from its belfries the train of the honey-sweet hour.

 

 

A city resplendent,

Fulfilled of good things,

On its ramparts are pendent

The bucklers of kings.

Broad banners unfurled

Are afloat in its air.

The lords of the world

Look for harborage there.

None finds save he comes as a bridegroom, having roses and vine in his hair.

 

 

'Tis the city of Lovers,

There many paths meet.

Blessed he above others,

With faltering feet,

Who past its proud spires

Intends not nor hears

The noise of its lyres

Grow faint in his ears!

Men reach it through portals of triumph, but leave through a postern of tears.

 

 

It was thither, ambitious,

We came for Youth's right,

When our lips yearned for kisses

As moths for the light,

When our souls cried for Love

As for life-giving rain

Wan leaves of the grove,

Withered grass of the plain,

And our flesh ached for Love-flesh beside it with bitter, intolerable pain.

 

 

Under arbor and trellis,

Full of flutes, full of flowers,

What mad fortunes befell us,

What glad orgies were ours!

In the days of our youth,

In our festal attire,

When the sweet flesh was smooth,

When the swift blood was fire,

And all Earth paid in orange and purple to pavilion the bed of Desire!

 

 

Paris street     photo by  J Ahrndt
 

 

 

 

 


 

 

 

Saturday, March 2, 2019

How many songs are there about Paris?

How many in English?

So many!

These come to mind first:

I Love Paris

The Last Time I saw Paris

April in Paris

Free Man in Paris



This time last year I was living in Paris. In the next few posts, I'm going to post some photos and poems from that month



Les Invalides on a snowy February 28, 2018    This church houses the tomb of Napoleon.




February 28 2018 in the Musee d'Orsay... the most wonderful museum, and walking distance from where I stayed.






March 1  2018, in a café close by Sainte-Chapelle     After I visited Sainte-Chapelle, on a very cold Sunday afternoon,  I came over to this café and had crepes and brandy and coffee.







Friday, March 1, 2019

Frost-flower and snow-blossom




March 1, and snowing.  Not the first time.


"March is a month of considerable frustration - it is so near spring and yet across a great deal of the country the weather is still so violent and changeable that outdoor activity in our yards seems light years away."
-  Thalassa Cruso 





 

"Ere frost-flower and snow-blossom faded and fell,
       and the splendor of winter had passed out of sight,
The ways of the woodlands were fairer and stranger
       than dreams that fulfill us in sleep with delight;
The breath of the mouths of the winds had hardened on tree-tops
       and branches that glittered and swayed
Such wonders and glories of blossom like snow
       or of frost that outlightens all flowers till it fade
That the sea was not lovelier than here was the land,
       nor the night than the day, nor the day than the night,
Nor the winter sublimer with storm than the spring:
       such mirth had the madness and might in thee made,
March, master of winds, bright minstrel and marshal of storms
        that enkindle the season they smite."
-  Algernon C. Swinburne, March: An Ode



However,  the robins have arrived!



 

 

Thursday, February 28, 2019

Now that winter is done with us



On this day last year, I flew to Paris for what was to be the month of a lifetime.  I stayed in our Motherhouse ( of the Daughters of Charity) at 140 rue du bac.  In addition to an eight day international retreat, I spent the other 28 days wandering through the streets of Paris and the art museums and cathedrals, and in the cafes, just generally delighting in it all.  This year I will post some poems and photos which I didn't post last year.

But that starts tomorrow.

Today I continue reading the poems of Gary Blankenburg. His book , Above All Things,arrived two days ago in the mail.
Like me, he is a Septuagenarian.  Like me, he knew Ralph Harper.  Like me, he quotes Saint Augustine -- the very same quotes. 

In most other ways we differ.  However, I am grabbed by his poems.

Here is one that is especially appropriate for this late February day:

Almost Spring

Now that winter is done with us
and bleak February has folded

its terrible gray wings and spring
is verging ---now that the snowbells

have appeared and daffodils
are forcing their way

through the hard earth and will
soon burst -- now will I urge

my dying friend to put his gun away and step with me into the sun

for at least one more time to feel
warmth creep into our bones --

maybe now he will join me for coffee
and cigars on the porch and watch

the birds come to the feeder
and accept the splendor of the seasons

that will unfold forever without us.

by Gary Blankenberg



Whew. 




 
 
Here's who I'm seeing just two feet from me, on my windowsill now:  a Hairy Woodpecker.
Not my photo, but he looks just like this.
 
 
 
 


Wednesday, February 27, 2019

Poets Reading the News



I love this poem by my poet friend John Dunne Smith:

Parable

  in Politics  by 
Who has the king’s ear this morning, good people?
Who has the king’s ear this morning, good friends?
His daughter, her husband and others much like them.
Already at breakfast they’re toasting his health,
Repeating his thoughts, sometimes using the same words,
Saying his wisdom’s as great as his wealth.
Who has the king’s ear this noontide, sad people?
Who has the king’s ear this noontide, sad friends?
A seer who sees enemies all around him,
Plots against borders and nobles and throne.
A word against one spells a menace to all of them
That can be struck down by His Highness alone.
Who has the king’s ear this evening, proud people?
Who has the king’s ear this evening, proud friends?
A soldier who calls for immediate action,
The muzzling of heralds, the jester’s arrest.
Opponents like them have no place in the kingdom.
Their silence, he counsels, is all for the best.
Who has the king’s ear this daybreak, glad people?
Who has the kings’ ear this daybreak, glad friends?
The left was last seen in the mouth of a stray dog.
The right’s on a pike with the rest of his head.
The estates have presented demands to the new king,
Who’s signing a charter that he hasn’t read.

 


J.D. Smith’s fourth collection, The Killing Tree, was published in 2016. His poem “Aleppo Epitaph” previously appeared in Poets Reading the News, and his individual poems have appeared in Dark Mountain, The New Verse News, Terrain and Zócalo, and he has received a Fellowship in Poetry from the National Endowment for the Arts. He works as an editor and writer in Washington, DC, where he lives with his wife Paula Van Lare, their rescue animals and a great deal of trepidation.
 
 
 

Tuesday, February 26, 2019

I keep this time sacred

Winter Solstice Stonehenge 2018



Here's a lovely February poem by Alice Meynell:
 

"Rich meanings of the prophet-Spring adorn,
Unseen, this colourless sky of folded showers,
And folded winds; no blossom in the bowers;
A poet's face asleep in this grey morn.
Now in the midst of the old world forlorn
A mystic child is set in these still hours.
I keep this time, even before the flowers,
Sacred to all the young and the unborn."
-  Alice Meynell, In February

 



 

Monday, February 25, 2019

Another Deadly Fall



I just received news that my poet friend, Michael Riley, has died. He was 73. 

A mutual friend told me that Mike suffered a bad fall about two weeks before his death: "He had a fall a few weeks ago and then in quick succession suffered a heart attack and a stroke. He has been on life support since, until …"


Here's part of an interview he gave to Lancaster Online:

“It's difficult to make a good poem," he says. "Ninety-six point five percent of the time is revision…. Good poetry is difficult."
To explain what prompted him to write a book of poetry on faith, Riley refers to the late Catholic poet Josephine Jacobsen, an American who died in 2003 at the age 94, who had three mystical experiences as a child.
"She found the urge to write poems came from the same place," Riley says. "You have to do it. If you deal with words, you have to use them."
Riley sometimes envies photographers, painters and musicians, who can skip the words and go straight to the feelings.
"With words, you're navigating through meanings that have accumulated over hundreds and hundreds of years. It's the pull of mystery and awe that you're trying to reach."
Riley refers to John Carey, an American who trained in Celtic studies and wrote about "the full extravagant strangeness of existence" that captures poets.
“They can't get away as well as other people can," Riley explains. "When cooking eggs or walking the dog, it's always there — the strangeness, the awe that faith shares with poetry."
Faith and poetry also share a sense of giftedness, Riley says.
“By this I mean not that you have a gift but it's a gift that is given to you, like faith is a gift. Often writers and artists who are not particularly religious feel swept into art. Often it feels you've only helped to create it. It's a feeling that something has taken hold of you. It's given. You haven't just done it.
"People ask me how I do it. I say, 'I don't know. I just do it.'"


Here is one of his poems from his book  Circling the Stones:

Sacrifice

Great Stone Circle, Lough Gir

I carry my wounded heart from wonder
to wonder. Steer its swollen chanbers
and irregular red waterfall

into one Druid priest's best chance
for eternity. It rises in its wet dance
with the moon, bones of granite circling

his upraised prize. Here in god's ribs
the left chamber that won't dip
water into wine

trips with surrender
midnight's flat pulse, wears
 all flesh from the shriven soul.


 
A bad fall precipited Mike's death.
 
About Falls: I have posted this before. It is an excerpt from an article by Jeremy Faust in Salon from November 2016.  I found it very helpful! 
 

“…  as our population continues to live longer and longer, falls are becoming the great plague of the modern era. They are the leading cause of accidental death in the elderly, and the incidence has increased steadily over the past decade. And, usually, they are not an easy way to go—many cause prolonged discomfort.
 

"Still, we don’t think of falls as being that serious. Consider the following two scenarios. In the first, you learn that your mother has just been diagnosed with cancer. Regardless of its stage, this news is likely to be met with tremendous distress by both patients and their families. People spring into action. Treatment plans are made. Financial houses are put in order. Wills are written. Advanced-care directives are considered. Old grudges are forgiven. In the second scenario, you are told that your mother has been admitted to the hospital after a fall. Obviously, you are worried. But, you may think, at least she’s not dying or anything.

 

"All too often, this is the wrong reaction. The one-year mortality for patients who are admitted to the hospital after a fall is a staggering 33 percent. A fall bad enough to warrant hospital admission can carry as poor a prognosis as some stage IV cancers that have metastasized to the lungs and brain. Of course, the people who are hospitalized after a fall are much more likely to have a higher mortality rate anyway. (They’re going to be older, and have more comorbid medical conditions, but falls still pose a bigger risk than other conditions.) By comparison, the one-year mortality for older patients admitted to the hospital for pneumonia hovers around 21 percent

 

 

"Sure, heart and lung disease and cancer are statistically more likely to kill you. If you live long enough, these most certainly will catch up with you, though often after a long, slow, and steady decline. In fact, by the time we get to be the age at which falls are risky, the other things will likely already have done much of the damage they’re going to do. Most middle-age and older people likely already have heart disease that poses little immediate threat to them. In one study, 73 percent of subjects who died from noncardiac causes (and who had no prior symptoms of cardiac disease) were found to have significant coronary artery disease on autopsy. Their clogged arteries didn’t contribute to their deaths. Most of us effortlessly live with some degree of age-related heart disease and for a great many of us, it poses no unusual risk.

 

 

"But when it comes to ruining a life overnight, there’s nothing like a bad fall. Nothing takes a perfectly healthy functioning older person and renders them immediately, and often irrevocably, miserable and incapacitated like a serious fall. (Well, maybe car accidents—but statistically, more older people are going to suffer from falls than car accidents. In fact, it’s not even close.) Falls not only pose a higher risk of death, they’re also immediately and catastrophically debilitating. If I were 80, I’d pick certain cancers or heart disease over a significant fall in a heartbeat.
 

"Why are falls so dangerous? There are short- and long-term risks. In the short term, falls that involve trauma to the head can cause life-threatening intracranial bleeding. Broken bones have their own risk, including lung embolisms in which tiny fragments of broken bone make their way into our circulation and reach the lung, causing impressive and often life-threatening damage. But falls that cause broken hips and legs can cause death and disability even well after the acute phase. Blood clots to the lung are more likely in the months after surgery or prolonged periods of immobilization. People who become more sedentary are more likely to develop a host of other problems, including heart and lung disease.

 
"A fall bad enough to warrant hospital admission can carry as poor a prognosis as some stage IV cancers. "

 

 

 
 

 
 

Sunday, February 24, 2019

the far fields melt my heart





Enough of politics and the troubling situation of the United States.

Here's a poem by Sylvia Plath:


Sheep in Fog

 

"The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.

The train leaves a line of breath.
O slow
Horse the colour of rust,

Hooves, dolorous bells ----
All morning the
Morning has been blackening,

A flower left out.
My bones hold a stillness, the far
Fields melt my heart.

They threaten
To let me through to a heaven
Starless and fatherless, a dark water."


-  Sylvia Plath, Sheep in Fog