Andrea Kowch The Reunion
I love this; borrowed from the Facebook page, Ravenous Butterflies:
Andrea Kowch The Reunion
I love this; borrowed from the Facebook page, Ravenous Butterflies:
I saw this meme on Facebook today, and nodded my head. It is so true!
Riding El Rapido, 1970
Somewhere between
and
in the hot, dry July,
so different from humid home,
I noticed my hair, long then,
to my elbows, felt
sleek and straight as it never was before,
and never was again.
He smoothed it, praising thick silk of it,
all spun cherry wood gold in the desert sun.
The rattling train stopped frequently.
He'd jump off and buy us wine and bread.
By sunset, we shared our third class compartment
with a famiy of six, baby crying,
chickens coughing the dry dust.
We were 22 then,
just out of college.
Everything was romance.
Our lives, El Rapido.
Hitchhiking in
Myself on the road on a sunny September morning,
the rain having stopped just now,
with my brown hair plaited,
thick braids thumping on my back,
yellow raincoat, moldy brown shoes
and my thumb out,
standing by the deserted road.
A frowsy black sedan stops.
Skinny man with stubbly cheeks,
random teeth,
grins and opens the passenger door.
I climb in, onto the torn leather seat.
He's asking me about my boyfriend.
I tell him I'm engaged.
I notice that his worn black trousers have a large hole
in the thigh.
Shortly down the road
he pulls over by tall green hedge
and gets out.
Come on, he says, I want to
show you something.
I follow him a brief way
into a pasture.
What's here? I say, seeing nothing
but a pasture in the sun.
He's frail, skinny, and short
almost as me, and poor.
He doesn't know what to do with me.
I huff past him and say
there's nothing here. I'll go
no farther with you.
He gets in his car
and drives away.
I call to myself, down thirty seven years,
watching the road, watching the rusty car
sputter into the distance.
who will win this very close election.
My various Facebook friends have contributed some memorable posts:
and
and
and so we wait.
One headline titled us "The United Hates of America." How tragic is that? How close to the truth!
Gene Weingarten, in a piece in the Sunday Washington Post Magazine, talked about that. One of the things he said that really hit me was:
( about Trump):
"Mostly, I cannot forgive him for what he has taken from me,
personally. … What h has taken from me are two things: First, my genuine
lifelong feeling that the United States, for all its weaknesses and failures,
deserves, and has always deserved, the benefit of the doubt. Second:
I find myself profoundly disliking and disrespecting almost half of my
countrymen and women – that is, the group of Americans that support Trump. I have never felt such antipathy before, even
in other sharply polarizing times, and it feels absolutely terrible.
…What is hard to understand – almost impossible to
understand – is the way the Trump presidency has divided seemingly like-minded
people of goodwill: friends, relatives, neighbors, professional colleagues –
people of similar backgrounds and who theoretically should align politically,
but don’t. And who have a hard time feeling anything but contempt for the
other."
I am praying that Joe Biden wins the election, and that the Democrats take the Senate. Many of my cousins and my high school - and college- classmates - are praying for the exact opposite.
Time will tell.
All Saints Day
The holiday arrives
quietly like phrases
of faint praise
in Braille. Famous
saints bow at the waist,
then step back, making
room for scores
of unknown saints,
to whom this day
also belongs. Not
a glamorous bunch,
these uncanonized,
unsung ones, shading
their eyes shyly
in the backs of the minds
of the few who knew them.
Hung-over, mute, confused,
hunched, clumsy, blue,
pinched, rigid or fidgety,
unable to look the radioactive,
well-dressed major saints
in the eye, they wonder
terrified: What (the fuck)
Am I Doing Here? Still
drenched, the tobacco
spitting fisherman who dove
after a dog swept downriver
looks in vain for a towel,
too timid to ask. (His dog
now sports a halo, too.)
Robed in volcanic ash,
a brave Pompeii matron
is mistaken by St. Catherine
for a sooty statue. An old
coot who serenaded
his dying wife with her
favorite ukulele tunes
is still trying to find her,
as his map of the afterlife
proved unreliable. What can
we offer these reticent saints
who lacked press agents?
Flowers? Lit candles? Floating
lanterns? The nerdy
fat whistle-blower from
the chemical plant
whose plaid slacks
made his coworkers
laugh behind his back
nervously jokes sotto
voce that he’d give
his soul for a Coke,
but no one can hear him.
-- Amy Gerstler
"To all the ancient ones from their houses, the Old
Ones from above and below. In this time the Gods of the Earth touch our feet,
bare upon the ground. Spirits of the Air whisper in our hair and chill our
bodies, and from the dark portions watch and wait the Faery Folk that they may
join the circle and leave their track upon the ground. It is the time of the waning
year. Winter is upon us. The corn is golden in the winnow heaps. Rains will
soon wash sleep into the life-bringing Earth. We are not without fear, we are
not without sorrow...Before us are all the signs of Death: the ear of corn is
no more green and life is not in it. The Earth is cold and no more will grasses
spring jubilant. The Sun but glances upon his sister, the earth..... It is
so....Even now....But here also are the signs of life, the eternal promise
given to our people. In the death of the corn there is the seed--which is both
food for the season of Death and the Beacon which will signal green-growing
time and life returning.In the cold of the Earth there is but sleep wherein She
will awaken refreshed and renewed, her journey into the Dark Lands ended. And
where the Sun journeys he gains new vigor and potency; that in the spring, his
blessings shall come ever young!"
- Two Samhain
Rituals, Compost Coveners, 1980
Here's another seasonal poem by Robert Graves:
Ghost Music
Robert Graves - 1895-1985
Gloomy and bare the organ-loft,
Bent-backed and blind the organist.
From rafters looming shadowy,
From the pipes’ tuneful company,
Drifted together drowsily,
Innumerable, formless, dim,
The ghosts of long-dead melodies,
Of anthems, stately, thunderous,
Of Kyries shrill and tremulous:
In melancholy drowsy-sweet
They huddled there in harmony.
Like bats at noontide rafter-hung.
October by Hilaire Belloc
Look, how
those steep woods on the mountain's face
Burn, burn against the sunset; now the cold
Invades our very noon: the year's grown old,
Mornings are dark, and evenings come apace.
The vines below have lost their purple grace,
And in Forreze the white wrack backward rolled,
Hangs to the hills tempestuous, fold on fold,
And moaning gusts make desolate all the place.
Mine host the month, at thy good hostelry,
Tired limbs I'll stretch and steaming beast I'll tether;
Pile on great logs with Gascon hand and free,
And pour the Gascon stuff that laughs at weather;
Swell your tough lungs, north wind, no whit care we,
Singing old songs and drinking wine together.
Igor Oleynikov A Strange Night
I read this poem last night; it was posted on another blog. It hit me hard.
Elegy for the Mourning of my Death
by Risa Denenberg
Elders have stopped
reading the news. We dream
of serious
play down on our knees—
cat’s eyes, jacks, the kiss that’s for keeps.
We know spring will come again and again, but not for us.
We fill
pauses with baskets of laundry
and potsful of soup. We can’t reassemble the bones
of our dead or carry chrysanthemums to the cremated.
We read the
old cryptic texts on how
to greet aging. Should we speak or wire our mouths shut?
We prepare for
endings, try to be thankful.
We nap in the
afternoon.
We’ve already witnessed the future, while time lags behind.
The whole lot must be coursework
for
something else—
the way the body is water, yet manages not to seem so.
The way an egg could
feed a child
or beget a
chicken.
It barely matters now. Still, on that morning,
I hope to wake in my
own bed, softly
wrapped in
the praxis
of long having known this day would come.
Then, let my fresh
carbon mingle with the coal of my ancestors.
Halloween Walk Leigh Ann Lilly
Here's a great seasonal poem by David Haven:
Under the cold October Sky
By David Haven
Under
the cold October sky
as the veil of Samhain grows thin
the seasons of planting and harvest are gone
and fall’s in the air again.
When summer has passed into Autumn chill
and the days ever shorter go by
spirits arise and they roam the earth
under the cold night sky.
All
through the long and the lonely night
like restless waves on the sand
the moon in the sky with the clouds drifting by
make shadows pass over the land.
Outside of the window see them moving
from leaves swaying in the breeze.
Some of them seem to reach out and grab
like the bare crooked branches of trees.
Some shadows are cast by a firelight
and they flicker and dance on the ground
But some shadows are from dead things
that rise from their graves
when they get up and walk around!
Down
a dark and lonely road
a graveyard stands alone
with fallen leaves all scattered around
among the grey tombstones.
Where weeds and brambles freely grow
without a soul to care
with unbroken solitude
for the living rarely enter there.
All
through the heat of summer days
the wind there blows a chill
although the sun is pressing down
and all is quiet and still.
Sunlight and shadows dance and play
in movements through the trees
and the voices of the dead speak
soft
as a whisper on a breeze.But
summer days have fled away.
The fields are bare and cold.
And eventide comes quicker
as the year is growing old.
As night descends on hearth and home
and evening shadows grow
from the cold and dark folks gather
around the fireside glow.
When those to their houses for refuge have gone
and the windows and doors have been fastened tight.
When shadows appear on the ceilings and walls
from the flickering candle lights.
Locked
windows and doors may keep thieves away
Intruders that murder and steal.
And the wind and the rain or the sleet and the snow
are kept out at the window seal.
As the veil that separates the world
of the living and dead grows thin
no window or door although fastened tight
keep the dead from entering in!
You cannot conquer Time
The other day, in my Modernity in Literature class, I taught them
about the poem “As I Walked Out One Evening” by W.H. Auden.
As I was working through it with them, it occurred to me
that the central theme of all the literature I had chosen to teach for this
course is TIME.
I won’t go into all of the texts now, but trust me: it is.
In Auden’s poem, written in 1937, he has a narrator, and two
speakers: the lovers, and the clocks.
The lovers are lyrical and delirious and full of hyperbole
in the first half of the poem, and then the clocks take up their song, which
basically is that “You cannot conquer Time.”
The lines that hit me this year : The clocks sing:
“Time watches from the shadow
And coughs when you would kiss.”
It’s like a prophecy of COVID.
The other day I received news that Ted Torrance, one of my
old teachers from Bishop Shanahan, had died at age 88, not from COVID, but
still. He was the history teacher and
also our moderator for our folk music group, The Hillside Singers. We gave concerts at Shanahan, but also at
some other nearby Catholic high schools.
We were good! One of our
classmates, Jerry Klein, a “techy guy” even back then,recorded two of our
concerts and in recent years, burned them into a CD and then to an MP3,
I downloaded them again and have been listening to
them.
We weren’t all that good, but we were full of life. Some of us droned and were flat. But our
harmonies were pretty good.
“A race around the stars,
A journey through the universe ablaze
With Changes.”
Lines from Phil Ochs, who died of a broken heart, and
suicide, in 1976.
What did we know, we eighteen year olds, of the vagaries of
Time?
I keep doing this, but I really don't know why. It doesn't make me less worried about the election.
Here are some wonderful woodcuts by artist Ian MacCulloch. They lift my spirits.
Here's a poem by Mary Elizabeth Coleridge:
The Witch by Mary Elizabeth Coleridge
I have walked a great while over the
snow
And I am not tall nor strong.
My clothes are wet, and my teeth are set
And the way was hard and long.
I have wandered over the fruitful earth
But I never came here before.
Oh, lift me over the threshold, and let me in at the door!
The cutting wind is a cruel foe.
I dare not stand in the blast.
My hands are stone, and my voice a groan
And the worst of death is past.
I am but a little maiden still
My little white feet are sore.
Oh, lift me over the threshold, and let me in at the door!
Her voice was the voice that women have
Who plead for their heart's desire.
She came - she came - and the quivering flame
Sunk and died in the fire.
It never was lit again on my hearth
Since I hurried across the floor
To lift her over the threshold, and let her in at the door.
"Perhaps the most famous icon of the holiday is the
jack-o-lantern. Various authorities
attribute it to either Scottish or Irish origin. However, it seems clear that it was used as a
lantern by people who traveled the road this night, the scary face to frighten
away spirits or faeries who might otherwise lead one astray. Set on porches and in windows, they cast the
same spell of protection over the household.
(The American pumpkin seems to have forever superseded the European
gourd as the jack-o-lantern of choice.)
Bobbing for apples may well represent the remnants of a Pagan 'baptism'
rite called a 'seining', according to some writers. The water-filled tub is a latter-day Cauldron
of Regeneration, into which the novice's head is immersed. The fact that the participant in this folk
game was usually blindfolded with hands tied behind the back also puts one in
mind of a traditional Craft initiation ceremony."
- Mike Nichols, All
Hallow's Eve
Here's a poem by Theodore Roethke:
"I
have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.
I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air."
- Theodore Roethke, The Far Field
here's a poem/ prayer by Diane Ackerman:
In the name of the daybreak
and the eyelids of morning
and the wayfaring moon
and the night when it departs,
I swear I will not dishonor
my soul with hatred,
but offer myself humbly
as a guardian of nature,
as a healer of misery,
as a messenger of wonder,
as an architect of peace.
In the name of the sun and its mirrors
and the day that embraces it
and the cloud veils drawn over it
and the uttermost night
and the male and the female
and the plants bursting with seed
and the crowning seasons
of the firefly and the apple,
I will honor all life
—wherever and in whatever form
it may dwell—on Earth my home,
and in the mansions of the stars.
Diane Ackerman
This about sums it up:
That handsome FBI agent from Twin Peaks...
Here's a poem by Elizabeth Jennings:
Thirty-six degrees this morning. Frost on the far meadow. I think the courtyard is still protected, but the killing frost isn't far away.
I love this photo of roses by Julie Zickefoose, from her garden:
I love this poem by Clare Pollard:
OCTOBER ROSES
Roses this October
burnt red like plague posies —
rash for the world’s fever,
a curse on our houses.
But then you were born in
the season’s strange mildness.
My heart rose as you rose
in my arms, small witness.
With your nails as tiny
as droplets of spittle,
and your fragile mouth that
is like a dropped petal.
In far away lands there
are poor babies crying,
with milk-coloured eyes
that the black flies are circling,
and tree-tops are falling,
the birds falling with them.
The season is bleak but
new life can still blossom.
The October roses
burn, burn in the darkness.
Beautiful despite, no,
because of their lateness.
© Clare
Pollard
Publisher: First published on PIW, 2008